Algorithmic Art Historians
July 14, 2015
Apparently, creativity itself is no longer subjective. MIT Technology Review announces, “Machine Vision Algorithm Chooses the Most Creative Paintings in History.” Traditionally, art historians judge how creative a work is based on its novelty and its influence on subsequent artists. The article notes that this is a challenging task, requiring an encyclopedic knowledge of art history and the judgement to decide what is novel and what has been influential. Now, a team at Rutgers University has developed an algorithm they say is qualified for the job.
Researchers Ahmed Elgammal and Babak Saleh credit several developments with bringing AI to this point. First, we’ve recently seen several breakthroughs in machine understanding of visual concepts, called classemes. that include recognition of factors from colors to specific objects. Another important factor: there now exist well-populated online artwork databases that the algorithms can, um, study. The article continues:
“The problem is to work out which paintings are the most novel compared to others that have gone before and then determine how many paintings in the future have uses similar features to work out their influence. Elgammal and Saleh approach this as a problem of network science. Their idea is to treat the history of art as a network in which each painting links to similar paintings in the future and is linked to by similar paintings from the past. The problem of determining the most creative is then one of working out when certain patterns of classemes first appear and how these patterns are adopted in the future. …
“The problem of finding the most creative paintings is similar to the problem of finding the most influential person on a social network, or the most important station in a city’s metro system or super spreaders of disease. These have become standard problems in network theory in recent years, and now Elgammal and Saleh apply it to creativity networks for the first time.”
Just what we needed. I have to admit the technology is quite intriguing, but I wonder: Will all creative human endeavors eventually have their algorithmic counterparts and, if so, how will that effect human expression?
Cynthia Murrell, July 14, 2015
Sponsored by ArnoldIT.com, publisher of the CyberOSINT monograph
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