Rights Issues: How Can Money Be Extracted from Content?

March 20, 2023

I don’t have a dog in this fight. I gave up on “real” publishers when the outfits with which I was working in Sweden and the UK went to the big printing press in the multiverse. Yep, failure. I am mindful about image rights too, but that doesn’t mean my Craiyon.com images or the clip art I have in my files from the years of CD-ROMs with illustrations that were “free to use.” Ho ho ho on that marketing blather.

I want to call attention to two news items and then offer a comment or two not presented by other dinobabies watching the wide, wild, wonderful world of digital information.

The first item is the Italian government’s conclusion that the illustration by Leonardo d Vinci is not in the public domain. I used to have a T shirt I bought in Florence with the image on the overpriced, made-in-China garment. I wonder if that shop on the bridge near the secret passage some big wheel used in the 16th century? I would assume that the Italian government has hoovered these and converted them to recycling fodder. You can read about this in the article “Italy Decides That Leonardo da Vinci’s 500 Year Old Works Are Not In The Public Domain.” The subtitle of the write up is “from the locking-up-in-the-public-domain department.” The story reports:

According to the Italian Cultural Heritage Code and relevant case law, faithful digital reproductions of works of cultural heritage — including works in the Public Domain — can only be used for commercial purposes against authorization and payment of a fee. Importantly though, the decision to require authorization and claim payment is left to the discretion of each cultural institution (see articles 107 and 108). In practice, this means that cultural institutions have the option to allow users to reproduce and reuse faithful digital reproductions of Public Domain works for free, including for commercial uses. This flexibility is fundamental for institutions to support open access to cultural heritage.

The operative word is “fee.”

The second item is about Internet Archive, a controversial outfit from the point of view of some publishers. The idea is that Internet Archive offers electronic books for free. Free, not fee, is an important concept. Publishers, writers, agents, book cover artists, and probably a French bulldog or two want to get a piece of the money generated by charging for electronic books. Look Amazon does it, and publishers are not thrilled. But there is some money paid out which is going the right direction.

The report I read is “The Internet Archive Is a Library.” Libraries and publishers have a long history. On one hand, publishers love to sell books to libraries. On the other hand, libraries are not turning cartwheels because libraries loan eBooks and other digital artifacts to patrons. As long as the money streams flow, publishers and rights holders are semi-happy, a bit like a black sheep of the family getting a few bucks when Uncle Tom goes to the big printing shop in the sky where my defunct publishers hopefully work setting type by hand.

The article says:

Despite its incredible library collections, which serve the needs of millions of people, Hachette Book Group, HarperCollins Publishers, John Wiley & Sons Inc., and Penguin Random House assert that the Internet Archive is not a real library.

If one is not a real library, that institution must pay for books. That seems clear to the publishers. I have wondered why the US Library of Congress was not moving in the same direction as the Internet Archive. Oh, well. What about the Special Library Association? Yeah, oh, well. And the American Library Association in concert with Harvard or Stanford? Oh, well.

So the Internet Archive is in jeopardy.

Several observations:

  1. Entities which could have assumed this job in concern with Internet Archive could have been more proactive. They weren’t, so here we are.
  2. Publishers are hungry for revenue, almost any type of revenue stream will do. Why not extract money from an outfit trying to perform a useful library-type function? Sorry, we want money and people can buy information from us summarizes the position of some publishers on earth and possibly in the big printing facility amidst the stars.
  3. Legal eagles love books. Plus those folks sometimes buy books to decorate their offices in the event a meeting is required in a suitably classy environment. Do lawyers read these books? Maybe, but I think professional publishers sell online content to them. Thus, in today’s world it makes sense for lawyers to determine what is a library and what is not, what content is free and which is not. I think I understand, but I am not going to call my attorney because I have to pay in 15 minute increments.

Net net: Libraries are for many negative spaces. Some books present information which is bad; therefore, ban or burn the books. Now we can defund regular libraries and shut down the online outfits. Publishers may be thrilled. Others may not care. I like libraries, but dinobabies don’t have influence. I am glad I am old.

Stephen E Arnold, March 20, 2023

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